Interview with RJD2, pondering the samples of the artist’s classic 2002 “Smoke and Mirrors,” DIY back when Xerox printing at the library ruled, Philadelphia roots, MPC-2000, ARP2600s: “forged in steel — solid, fortified.” Read the full interview.
Your best shot at making a career is to be good at what you do. Most often, that happens by doing what you love. You’ve gotta love what you do, and then it’s not work.
RJD2: friendly android cyber-bot or Definitive Jux sample-swapping producer? RJ’s deft mastering, despite his limited studio resources, place his skills among the caliber of the inhuman android, but the emotion evoked through his music is altogether human. Deadringer reworked dusty ’70s samples into a sort of Frankenstein of disparate parts that somehow remained sonically sweet. As a follow-up, the two-CD The Horror is all remixes of that debut. A new “Final Frontier” garners a more listenable rap than its Deadringer counterpart, and “Bus Stop Bitties” finds the Motown era’s soul food even bass-ier and tastier. The second CD features live performance footage as well as an interactive photo gallery. The Horror is superlatively inhuman in its quality, much like RJD2’s production skills.
This review originally appeared in XLR8R on May 30, 2004.